Events

Media Production Show 2019

WE’RE AT STAND 574

Come along to this year’s Media Production Show, say ‘hello’ and pick up your free swag.

Register for your free access and check out industry brands at the biggest event for technology and talent in the creative industries. The show will feature key exhibitors presenting their products and services that vary across pre-production, post and content distribution across two days. There will also be a programme of free high-calibre seminars with some of the biggest industry names sharing their inspirational insights and valuable knowledge.

 

REGISTER HERE

 

About Media Production Show:

Launched in 2016, The Media Production Show provides opportunities to meet and network with different exhibitors presenting their products and services that vary across pre-production, production, post and content distribution. 2019 is the year the event will be showcasing talent and technology across the creative industries… not a show to be missed!

The Media Production Show is hosted and organised by the publishers of market leading titles including Broadcast, Broadcast Intelligence, KFTV, The Knowledge, Production Intelligence and Screen International. We also have a highly successful track record in organising high-end conferences and industry awards, with a reputation for bringing the key players together, to debate the creative industries, network with each other and celebrate their successes.

We are excited to exhibit alongside our colleagues at:

  • Avid
  • Canon
  • JVC
  • Panasonic
  • …and many more
We look forward to seeing you there!

Selling Your Feature Film: Using a Proof of Concept

Come join us as writer/director Dwayne Gumbs will present the importance of having a proof of concept in order to sell your feature film script to investors. He will screen ‘Holy Beef’, a proof of concept for his feature film currently in development.

‘Holy Beef’ was funded through Film London’s London Calling scheme and was in official selection at the BFI London Film Festival 2018 and the London Short Film Festival 2019. As such, the project has also been supported by Film London as part of their Microwave scheme for first time feature filmmakers.

Dwayne will:

  • Talk about when and why the proof of concept became vital to his feature project
  • Give an idea of how to create a feasible and engaging a ‘short version’ of a substantial feature idea
  • Share his experiences of the benefits the proof of concept has brought with it and what it means for the future of his project

Come along to this gem of an event, meet new people and get some insight into the ins and outs of the journey from proof of concept to feature production.

About Dwayne Gumbs:

Dwayne’s passion for writing found an outlet as a child through Grime. Having grown up in East London when the culture was emerging, his hobbies included MCing, DJing and music production – a connection he’s maintained to this day. In 2008 he founded Diverse Voices Entertainment, a unique entity for young people to express themselves and access opportunities in the arts which would otherwise not be available to them. He has written and directed many live shows and short films, all co-created with these young people.

Dwayne collaborated with Iain Simpson on the Film London funded grime comedy short ‘Holy Beef’, a proof of concept for a feature in development, ‘Running Out of Grime’, which was also developed through Film London’s Microwave scheme.

Dwayne is passionate about creating positive depictions of a young generation too often portrayed negatively on screen. Whilst the London film industry is definitely broadening the range of stories being told, he still feels there is an unaddressed gap in the ‘Urban Film’ market, which is not a fair representation of the vibrant and positive inner city London life he experienced growing up, nor the true nature of today’s youth.

BVE 2019

Come join us for free at this year’s BVE at the ExCeL Centre London, booth K67. Creative minds, tech professionals and business leaders can see the biggest brands, newest kit, cutting edge tech and visionary speakers. And collaborate to create beautifully told stories, seamless workflow solutions and future proofed strategies that transform our industry.

 

REGISTER HERE

 

About BVE:

BVE is the largest broadcast, production and media and tech exhibition in the UK attracting over 12,000 creative professionals, business leaders and tech professionals every year.

BVE 2019 is giving you access to:

  • 300+ brands exhibiting the latest technologies with exclusive offers at the show
  • 100+ free to attend and industry accredited seminars
  • 200+ industry experts providing you with best practice industry insight
  • Unlimited access across all 3 days

We are excited to exhibit alongside our colleagues at:

  • Avid
  • Soho Broadcast
  • DELL
  • Mandy
  • …and many more
We look forward to seeing you there!

Writing Successful TV Bibles: From Creation to Pitch

Come join us as writer/director Danny Stack will share valuable tips and insights into writing TV bibles, and how they’re an essential document across development and production. Everything from two-page summaries to TV bibles that take a weekend to read – come find out how it’s done.

Danny will:

  • Discuss why a TV Bible is ESSENTIAL to pitching a show
  • Outline what items are in a TV bible and what not to include
  • Talk about the secrets to writing a good TV bible and why no one set rule or structure applies to all
  • Look at the difference between a good TV bible pitch document versus a more production-focused one
  • Draw on his vast experiences making films in the family genre

Come along to this gem of an event, meet new people and get some insight into the ins and outs of creating award-winning projects.

About Danny Stack:

Danny started out in Channel 4’s comedy department when shows like Spaced, Ali G and Black Books were being made. Since then he’s worked as a screenwriter and script reader for companies like Miramax, Working Title, Pathe, UK Film Council and Irish Film Board, among others. He helped set-up the Red Planet Prize with Tony Jordan, designed to seek out new TV writing talent. With Tim Clague, he co-hosted the highly popular podcast The UK Scriptwriters Podcast, which was started in 2010. Danny now specialises in the kids/family genre, and has made two live-action family films with Tim: Who Killed Nelson Nutmeg (which had its world premiere at the London Film Festival in 2015) and Future TX (starring Griff Rhys Jones).

The Photography/Video Show 2019

…AND ACTION! Come along to this year’s Photography/Video Show and learn about the latest development in the world of videography, cinematography and photography.

The Video Show will take place for the first time at the NEC, Birmingham in 2019. It will be co-located with The Photography Show.

You can also take advantage of our discount code IMISTVS19This will give you 25% off sign day. standard and advance tickets for all masterclasses!

REGISTER HERE

Whether you’re a budding filmmaker, a professional videographer, a vlogger or an online content creator, The Video Show has everything you need to expand your moving image production horizons. Get your hands on the latest kit, try out new techniques and learn about different aspects of videography from some of the best names in the industry.

Topic will include:

  • 360 film
  • HDR
  • Content Creation
  • Documentary
  • Short Film
  • Storytelling
  • Commercial
  • …and many more

The Video Show is organised by Future and run by a passionate events team, supported by market-leading magazines including the UK’s #1 consumer technology website, TechRadar.com, the go to resource for artists and designers; creativebloq.com and the award-winning Digital Camera and digitalcameraworld.com.

BSC Expo 2019

BSC Expo is coming to Battersea Evolution. Come along with your friends and join us at our boot for a chat or a quick ‘hello’ and pick up your free swag. Entry is free for all. Register now.

We are excited to exhibit again this year across two full days of fellow exhibitors showcasing their latest equipment. As well as that you will be able to immerse yourself in a large number of panel discussions and presentations.

This will also give you the perfect opportunity to come see us at our stand, pick up your free swag and get a great deal of inspiration from across the industry.

About BSC Expo:
The BSC Expo  is the UK’s premier dedicated film and TV production show and is now a recognised fixture in the industry calendar. The 2019 is set to be the biggest ever, with national and international manufacturers and suppliers. This is a great opportunity to test all of the latest equipment and technologies in a relaxed industry environment.

We are excited to exhibit alongside our colleagues at:

  • ARRI
  • NBC Universal
  • Zeiss
  • RED
  • Sony
  • …and many more
We look forward to seeing you there!

Post-Holiday After Party: Xmas Might Be Gone, But The Party Is Still On

Back from the festive month and still in party-mode? Well, look no further and join us at our annual start-of-the-year party at the renowned Phoenix Artist Club in Soho.

What you will get out of this gathering:

  • Make new connections
  • Mix&Mingle with old and new faces
  • Have a drink (or two) on the house

FREE for IMIS Members. Tickets for non-members: £6 (incl. VAT)

Come along for NETWORKING EVENT, DRINKS and a GREAT TIME!

ABOUT THE PHOENIX ARTIST CLUB:

The award-winning Phoenix Artist Club is one of London’s last remaining independently owned and operated venues, based in the heart of the west end and located in the original rehearsal rooms of the Phoenix Theatre.

Telling Powerful Stories with ‘American History X’ Director Tony Kaye

Six-time Grammy nominee director/cinematographer Tony Kaye, American History X (nominated for an Academy Award) will be joining us for an evening discussing telling powerful stories.  Tony is also known for his music videos for Paul McCartney, Red Hot Chilli Peppers, and Johnny Cash. For his music video for Johnny Cash’s God’s Gonna Cut You Down, Kaye won the Grammy Award. Kaye will talk about his journey on the film industry across creative sectors.

‘Tony Kaye is also the most awarded director and cinematographer of television commercials in British Advertising History.’

Tony will:

  • Talk about his experiences as a director across several creative industries
  • Give insight into working with a high-end cast in passion feature film productions
  • Discuss high-class music video production working with celebrity musicians

Come along to this gem of an event, meet new people and get some insight into the ins and outs of directing award-winning projects.

About Tony Kaye:

He has made several well-known music videos, including the video for “Runaway Train” by Soul Asylum, which won a Grammy Award, “Dani California” by Red Hot Chili Peppers, “What God Wants” by Roger Waters, and “Help Me” and “God’s Gonna Cut You Down” by Johnny Cash. Kaye is a six-time Grammy nominated music video director.

His feature film debut was American History X (1998), a drama about racism starring Edward Norton and Edward Furlong. Kaye disowned the final cut of the film and unsuccessfully attempted to have his name removed from the credits. The film was critically lauded and Norton was nominated for the Academy Award for Best Actor for his performance in the film.

Kaye’s second feature, a documentary called Lake of Fire, about the abortion debate in the United States, opened in Toronto in September 2006. The movie was shortlisted for the Academy Award for Best Documentary Feature as well as for Best Documentary Film at the Independent Spirit Awards, the Chicago Film Critics Association Awards and the Satellite Awards. Lake of Fire took Kaye 18 years to make.

Kaye’s third feature film, a crime drama titled Black Water Transit starring Laurence Fishburne, was shot in New Orleans during the summer of 2007. A rough cut was screened at the 2009 Cannes Film Festival but the film was never released to cinemas.

Kaye’s fourth feature film, Detachment (2011), starring Adrien Brody as well as featuring Kaye’s daughter Betty, is a drama about the decline of the education system in American high schools. It premiered in April 2011 at the Tribeca Film Festival. In 2011, Detachment screened in competition at the 37th Deauville American Film Festival in France. It won both the Revelations Prize and the International Critics’ Award. Detachment was also announced as the Closing Night Film at the Woodstock Film Festival, where Kaye was the recipient of the Honorary Maverick Award.

Finding a Theme: A Workshop on Bringing Your Narrative Together

Join us as screenwriter and story design consultant, Rick Harvey walks you through the steps of writing a theme whilst exploring its importance and often-overlooked powers in this interactive workshop.

He will address the ins and outs of what themes are about and where they belong in the writing process. In particular, he will look at:

  • Theme as a unifying element of a narrative
  • Theme as a means of establishing an emotional engagement with a reader /
    audience
  • Theme as a means of establishing/connecting to a writer’s voice

Since this is a workshop, we advise you to bring along your own project to get the most out of this session.

Come along to this gem of an event, meet new people and get some insight into the ins and outs of successful theme writing.

About Rick Harvey:

Rick is a Cambridge-based screenwriter, story design consultant, lecturer and mentor.

Since attaining an MA Screenwriting & Research qualification from the London College of Communication in 2001, he has storylined for ‘Family Affairs’ (Talkback Thames/Channel 5), developed projects for Hewland International and Frenzy Films, written a slate of short films and spec features, mentored on First Light, Media Box and BFI projects and written and developed feature screenplays for EON Productions.

He was trained by the UK Film Council to devise, develop and deliver industry-standard courses on screenwriting and cross-platform story design, and he lectures regularly on various aspects of the writing process.

Rick is currently developing, ‘Beautiful Bodies’, an eight-part serial for TV, writing a Folk Horror feature narrative, Inheritance, and overseeing the MA in Filmmaking at Raindance.

Tickets Available:

  1. General Admission: This ticket is open to any non-member of IMIS.
  2. IMIS Member Ticket: Once logged in to the website, this allows the user the ability to attend the event for free. Limit one per person. No need to register for livestream.
  3. Livestream Ticket: This ticket allows you to watch the recording live and indefinitely afterwards. A link will be sent to you before the event.

Producing Feature Films: The Ins and Outs of the Craft

Come join us as producer Pietro Greppi will talk about his experience developing, financing, producing and releasing the debut feature film by emerging writer/director Andrew Steggal (Departure) starring Juliet Stevenson (Bend It Like Beckahm, Truly Madly Deeply) and Alex Lawther (The Imitation Game.)

He will discuss:

  • Securing both development and production funding from the BFI and working closely with them throughout the process
  • Securing the rest of the finance as well as sales and distribution partners before production, which included pitching the project at a number of co-production and finance markets and labs, including Film London’s Micromarket and Closing the Gap
  • Setting up the project as a UK/ French production (the film was a British film shot entirely in the South of France with mixed cast and crew; post-production was carried out half in the UK half in France); this entailed bridging the cultural differences between the two systems, particularly in regard to the legal closing and during production on set
  • Planning the film’s festival and distribution strategy in conjunction with the film’s finance, sales and distribution partners, overseeing attendance at festivals including BFI London, Rome, Dinard and Palm Springs, and markets including Cannes and EFM in Berlin

Come along to this gem of an event, meet new people and get some insight into the ins and outs of successful feature film producing.

About Pietro Greppi:

Pietro Greppi is a London-based independent producer. He produced Andrew Steggall’s BFI-funded debut feature Departure (2016), starring Juliet Stevenson and Alex Lawther. A UK-France production, the film screened at festivals including LFF, Dinard and Rome and was released theatrically in the UK and France and sold internationally by Charlotte Mickie at Mongrel.

Pietro previously produced Giacomo Cimini’s sci-fi short The Nostalgist, based on a short story by NY Times best-selling author Daniel H. Wilson (Robopocalypse), starring Lambert Wilson (Of Gods and Men, The Matrix Revolutions) and Samuel Joslin (Paddington, The Impossible). The short, partly funded via Kickstarter, won the Melies d’Argent and screened at festivals including LFF, Palm Springs, FantasticFest and Clermont Ferrand before securing distribution on platforms including iTunes, Wired and We Are Colony.

Pietro is currently developing a slate of features with partners including the BFI, Creative England, The Wellcome Trust and Ingenious Media. He is also a consultant and project assessor for a number of production companies and film initiatives.

He began his career in New York, gaining experience in development at Christine Vachon’s Killer Films and later working in distribution and sales at Magnolia Pictures. He then worked across sales and financing at Goldcrest in London, on films such as Andrea Arnold’s Wuthering Heights and The Iron Lady.

About Departure (2015):

An English mother and her teenage son spend a week in the South of France breaking up a summer home that has become one of the casualties of the woman’s crumbling marriage. The boy struggles with his dawning sexuality and an increasing alienation from his mother. She in turn must confront the fact that her marriage to his father has grown loveless and the life she has known is coming to an end. When an enigmatic local boy enters their lives, mother and son are compelled to confront their separate desires and, finally, each other.