Events

Producing Immersive Media: An Introduction to Interactive Immersive Moving Images

EVENT DETAILS

Come join us as Executive Digital Producer Muki Kulhan will present: Producing Immersive Media – An Introduction to Interactive Immersive Moving Images.

Kulhan will give us an expanded snapshot of the immersive technology sector from her experience in the music, broadcasting and entertainment sectors, while delving into:

  • Immersive Technology – What is it?
  • An Introduction to Immersive Moving Image
  • Producing Scripted and Unscripted Content
  • Project Concept to Completion; Getting Your Idea Funded
  • Project Show & Tell
  • The Future of Moving Image

Kulhan will also discuss her hands-on experience of being an Executive and Immersive VR Producer with the BBC on 360 video productions and also also her extensive R&D work with peers such as IBC, MWC, Arri/Volucap studios, Sky, InnovateUK and more. She’ll also share her opinions on the future of immersive technology, and what might lie ahead for these fast-changing formats.

ABOUT MUKI KULHAN

Muki is an award-winning Executive Digital Producer with over two decades creating groundbreaking content for music, broadcasting, entertainment and tech innovation.

After 10 years growing MTV’s digital and interactive platforms in the ‘00s, she now runs her own digital production company Muki-International, producing immersive 360°VR/AR/MR experiences, live social content, digital strategies and in-depth industry R&D for TV, Music & A-List artists.

Recent clients and highlights include BOSE AR, the Abbey Roads Studios Spatial Audio Forum, and being a judge for the Broadcast Digital Awards, IBC Young Pioneer Award and the VR Awards 2019.

Currently, she is exec’ing with Playlines AR studios location-based, immersive AR rap-experience, Harry Shotta’s ‘Consequences’, which was a finalist for the “Innovation in Storytelling Prize” at NYC’s Future of Storytelling Summit 2018. and runner-up at Opera Beyond, the Finnish National Opera’s tech innovation prize.

And, as the BBC’s Digital Executive for The Voice UK (s4&5), she produced “The Virtual Voice’, the first-ever series of 360°VR for a Saturday flagship show.

Muki regularly keynotes and chairs at scores of media and tech conferences worldwide including IBC where she is on the Content Steering Group, and Diversity & Inclusion Committees, as well as other tech shows like Dublin Music x Tech Summit, Berlin Music:Most Wanted, MWC/4YFN, BAFTA, VR World Congress, Zurich Film Festival, FutureBook Live, Cambridge Wireless, BIME, Wearable Tech Show and more.

Muki is proud to deputy-host the popular monthly meet-up ‘Augmenting Reality’ at London’s Microsoft Reactor, and is an active member of the Royal Television Society, Women in Immersive Tech and the British Screen Advisory Council.

Designing the Future: Winning A-List Work & Designing For VFX with Blockbuster Directors

DESIGNING THE FUTURE – WINNING A-LIST WORK & DESIGNING FOR VFX WITH BLOCKBUSTER DIRECTORS

EVENT DETAILS

Come join us as Founder and Executive Creative Director of Territory Studio David Sheldon-Hicks will present: Designing The Future – Winning A-list Work & Designing For VFX With Blockbuster Directors.

Sheldon-Hicks will demonstrate the lifecycle of a project through the lens of Blade Runner 2049 (d. Denis Villeneuve) and Ready Player One (d. Steven Spielberg), while delving into:

  • Pitching
  • Working with Art Departments
  • Production
  • Post Production
  • Working with Directors Denis Villeneuve and Steven Spielberg

Sheldon-Hicks will also discuss the impact of immersive and experiential technology on moving image exhibition.

ABOUT DAVID SHELDON-HICKS:

With a background in graphic design, David’s career began in digital media before moving on to the fast-moving world of music videos, where his passion for the craft and creative of motion graphics led him to film, games and commercial campaigns.

As founder and Executive Creative Director of Territory Studio, David’s love of storytelling and technology, and eye for emotive details has established a reputation for beautifully crafted, design-led graphic narratives across genres and media.

Today, David’s multidisciplinary team thrives on future vision challenges, attracting diverse briefs across entertainment, brand, installations and emerging technology.

In recognition of the studio’s creative approach and achievements, David was named as one of 2018’s Creative Leaders 50, an annual scheme from Creative Review that recognises outstanding talent across UK and Europe.

In addition to winning Motion Awards and D&AD’s, the studio’s work for Blade Runner 2049 has been nominated for the annual Beazley Designs of the Year 2018.

Studio credits include motion graphics and visual effects for feature films, including Avengers: Infinity War, Ready Player One, Pacific Rim Uprising, Blade Runner 2049, Ghost In The Shell, The Martian, Mission Impossible: Rogue Nation, Avengers: Age of Ultron, Ex_Machina, Guardians of the Galaxy, Jupiter Ascending, Zero Dark Thirty, Prometheus, etc.

Games work includes Sony VR Worlds, Horizon: Zero Dawn, Forza Motorsport 5&6, Need for Speed, Killzone Mercenery, Killzone 3, Medal of Honor, Little Big Planet, etc.

Attracted by Territory’s multidisciplinary approach, the studio has delivered technology and product visualisations, branded content and installations for clients including 007 Elements, Amazon UK, Avatar XPRIZE, Barbican Centre, Facebook, Faraday Futures, HSBC, Formula 1, Investec, Jaguar,  Land Rover, Microsoft, Santander, Sony, Spyscape Museum, Virgin Atlantic, Virgin Cruises, Volvo, and many more.

An inspiring speaker, David shares his thoughts and experiences at international creative and industry events including Motion Plus Design Paris; Dept Festival Amsterdam; D&AD Festival, London; Clerkenwell Design Week, London; FITC Amsterdam; Playground Festival, Eindhoven; OFFF London; OFFF Barcelona; Digital Shoreditch, and many others.

About Territory Studio:

Territory Studio is a creative specialist with a unique approach to motion graphics. Drawing on deep expertise of narrative design for film, we blend creative with technology to realise compelling future facing designs, from concept through to delivery.

Working across diverse projects from features films and episodic formats, the team’s passion for story and designer’s eye for problem solving informs the studio’s approach to art department and visual effects briefs.

With growing studios in London and San Francisco, Territory’s film credits include Avengers: Endgame & Infinity War, Ready Player One, Blade Runner 2049, Ghost in the Shell, The Martian, Guardians of the Galaxy, Ex_Machina, Zero Dark Thirty, Prometheus, and more.

Getting Down To Business: Developing a Film Project That Gets Made

Come join us as film and TV producer Zack Winfield will present on the key skillset every producer needs: how to develop a film that is actually produced.

He will take you through:

  • Working with a screenwriter to develop a compelling, attractive script with a realistic budget.
  • Development and deployment of tools to attract investment to your project, such as sizzle reels.
  • Co-ordination between different departments to enable the final film to be delivered.

About Zack Winfield:

In 2003 Zack joined the production team at NDF International, one of the UK’s most successful independent production & financing companies with sixteen Oscar nominations to its credit, working across a wide range of NDF’s development projects including Franco Zeffirelli’s ‘The Florentines’. In 2006 He was Associate Producer (and Music Supervisor) on ill-fated UK-SP-JP coproduction ‘Guantanamero’. (dir. Vicente Penarrocha, c. Derek Jacobi and Natalia Verbeke).

In 2012 together with Ado Yoshizaki and Ben Friedman, Zack formed Native State. Recent productions include British action thriller Last Passenger (d. Omid Nooshin), was released in 35 territories in 2014; City of Tiny Lights (d. Pete Travis) starring Riz Ahmed which premiered at Toronto International Film Festival and London Film Festival in 2016 and was released in the UK in April 2017. In 2017 Zack was a production consultant on ‘Showdogs’ a family film for Open Road / Global Road.

Zack is currently working across a slate of film and tv projects, with partners in the UK and the US, is an independent consultant for various film companies, and also mentors on the Raindance Masters programme.

Time Is Money: Production Coordinator Crash Course

Come join us as production coordinator Georgina Bobb will present the importance of having a production coordinator join your team for any project. Similar to an orchestra, everyone plays their role but without the conductor everything sounds weird or just doesn’t happen.

She will:

  • Give an overview what being a production coordinator entails and the responsibilities on a day-to-day basis for a factual production
  • Give an insight as to which skills are required to become a great coordinator
  • How to apply for coordinator roles, tips on what to put in a CV and cover letter when applying for roles
  • Talk about her experiences on the job as well as her work for Connect 2TV Coaching

About Georgina Bobb:

Within her 13 years experience she has worked as a Junior Production Manager, Production Coordinator, Production Secretary, Post Production Secretary, Production Assistant, Logger, Junior Researcher, Archive Researcher and Runner in Television creating international and UK based content across all television genres. She has also Directed, Produced and Production Managed various Music Promos, Live Events and Commercials that have been broadcasted internationally as well as being screened online.

She has worked with various mainstream celebrities & artists as well as accumulating over 50 TV broadcasting credits working on prime time entertainment and factual entertainment productions for various broadcasters and independent production companies such as BBC & ITV.

Whilst working in television she has created and developed a TV-specific employability business, Connect2TVCoaching providing clients with CV and cover letter writing consultations and mentoring as well as employability workshops, training and networking events. She has received great feedback in which clients have gained interviews and paid work placements at companies such as the BBC, Lime Pictures, Love Productions and other independent production companies as a result. A Ravensbourne Graduate in Content Creation and Broadcast & from a non-traditional background she is passionate about specifically engaging and empowering disadvantaged young people enabling them to develop both personally and professionally giving them the opportunity to gain paid employment within the industry. Qualified with a Level 3 Award in Education and Training she has delivered TV and Media specific employability workshops through Connect2TVCoaching.

One of Georgina’s treasured moments in her career thus far includes receiving her first award nomination under the category of Rising Talent at the Screen Nation Awards – a ceremony that celebrates diversity within film and television. In 2019 I worked as a Production Coordinator on a programme called Operation Live, The Open Heart Surgery: Uncut which has also been shortlisted under Live Event at the BAFTA’s.  She has also been nominated as a Rising Star at the We Are The City awards a ceremony for professional women.

Media Production Show 2019

WE’RE AT STAND 574

Come along to this year’s Media Production Show, say ‘hello’ and pick up your free swag.

Register for your free access and check out industry brands at the biggest event for technology and talent in the creative industries. The show will feature key exhibitors presenting their products and services that vary across pre-production, post and content distribution across two days. There will also be a programme of free high-calibre seminars with some of the biggest industry names sharing their inspirational insights and valuable knowledge.

 

REGISTER HERE

 

About Media Production Show:

Launched in 2016, The Media Production Show provides opportunities to meet and network with different exhibitors presenting their products and services that vary across pre-production, production, post and content distribution. 2019 is the year the event will be showcasing talent and technology across the creative industries… not a show to be missed!

The Media Production Show is hosted and organised by the publishers of market leading titles including Broadcast, Broadcast Intelligence, KFTV, The Knowledge, Production Intelligence and Screen International. We also have a highly successful track record in organising high-end conferences and industry awards, with a reputation for bringing the key players together, to debate the creative industries, network with each other and celebrate their successes.

We are excited to exhibit alongside our colleagues at:

  • Avid
  • Canon
  • JVC
  • Panasonic
  • …and many more
We look forward to seeing you there!

Concept vs Instinct: A Screenwriting Workshop with Award-Winner Corey Mandell

Come join us as award-winning writer Corey Mandell talks about his views on instinctive vs conceptual writing. He has written numerous projects for Ridley Scott, Harrison Ford, Meg Ryan, Julia Roberts, Warner Brothers, Universal, 20th Century Fox, Working Title, Walt Disney Pictures and many more.

Corey will:

  • Talk about the difference between ‘instinctive’ and ‘conceptual’ screenwriting
  • Give an idea of how he one doesn’t necessarily exclude the other
  • Share his experiences with working for high-end production companies and A-listers

Come along to this gem of an event, meet new people and get some insight into the ins and outs of the various ways to write for the big screen.

About Corey Mandell:

Corey Mandell is an award-winning playwright and screenwriter who has written projects for Ridley Scott, Wolfgang Petersen, Harrison Ford, Meg Ryan, Julia Roberts, John Travolta, Warner Brothers, Universal, 20th Century Fox, Fox 2000, Fox Family, Working Title, Paramount, Live Planet, Beacon Films, Touchstone, Trilogy, Radiant, Kopelson Entertainment and Walt Disney Pictures.

His Professional Screenwriting and Television Writing Workshops offer an alternative to the same old tired rules and formulas found in most screenwriting classes, books and seminars. This innovative program is the only one to teach creative integration, script testing, compelling conflict, organic story design, strategic rewriting and story mapping. With these tools, writers are able to create the pitch-perfect authentic scripts required to break into, and thrive in, the current marketplace.

In the past three years, graduates have gone on to sell or option scripts to Warner Brothers, Paramount, Sony Pictures, Disney, Fox, MGM, Universal, Showtime, FX, USA Network, NBC, HBO, MTV and AMC. Others have been staffed on such shows as Community, The Fosters, Jane the VirginBonesJustified, BoJack Horseman,Young and Hungry, PlayingHouse, The Mentalist, Marvel’s Agents of Shield, Up All Night, State of Affairs, Rosewood, The Leftovers, You’re the Worst, Pretty Little Liars, Treme, The Blacklist and The Leftovers.

The Workshops teach the essential skill sets required to write at a professional level, both for feature films and television. The classes are offered live in Los Angeles as well as online using video conferencing to allow participants to see and hear each other in real time. These highly popular classes draw students from across the US, Europe and Australia.

With the recent explosion of television pilots being bought, and a healthy rebound in the feature spec script market, there’s never been a better time to jump into the writing game. One script absolutely can change your life. But it’s got to be the right script. If you’re serious about developing the skills required to launch a career, these workshops can help take years off your learning curve and significantly increase your chances of success.

Selling Your Feature Film: Using a Proof of Concept

Come join us as writer/director Dwayne Gumbs will present the importance of having a proof of concept in order to sell your feature film script to investors. He will screen ‘Holy Beef’, a proof of concept for his feature film currently in development.

‘Holy Beef’ was funded through Film London’s London Calling scheme and was in official selection at the BFI London Film Festival 2018 and the London Short Film Festival 2019. As such, the project has also been supported by Film London as part of their Microwave scheme for first time feature filmmakers.

Dwayne will:

  • Talk about when and why the proof of concept became vital to his feature project
  • Give an idea of how to create a feasible and engaging a ‘short version’ of a substantial feature idea
  • Share his experiences of the benefits the proof of concept has brought with it and what it means for the future of his project

Come along to this gem of an event, meet new people and get some insight into the ins and outs of the journey from proof of concept to feature production.

About Dwayne Gumbs:

Dwayne’s passion for writing found an outlet as a child through Grime. Having grown up in East London when the culture was emerging, his hobbies included MCing, DJing and music production – a connection he’s maintained to this day. In 2008 he founded Diverse Voices Entertainment, a unique entity for young people to express themselves and access opportunities in the arts which would otherwise not be available to them. He has written and directed many live shows and short films, all co-created with these young people.

Dwayne collaborated with Iain Simpson on the Film London funded grime comedy short ‘Holy Beef’, a proof of concept for a feature in development, ‘Running Out of Grime’, which was also developed through Film London’s Microwave scheme.

Dwayne is passionate about creating positive depictions of a young generation too often portrayed negatively on screen. Whilst the London film industry is definitely broadening the range of stories being told, he still feels there is an unaddressed gap in the ‘Urban Film’ market, which is not a fair representation of the vibrant and positive inner city London life he experienced growing up, nor the true nature of today’s youth.

BVE 2019

Come join us for free at this year’s BVE at the ExCeL Centre London, booth K67. Creative minds, tech professionals and business leaders can see the biggest brands, newest kit, cutting edge tech and visionary speakers. And collaborate to create beautifully told stories, seamless workflow solutions and future proofed strategies that transform our industry.

 

REGISTER HERE

 

About BVE:

BVE is the largest broadcast, production and media and tech exhibition in the UK attracting over 12,000 creative professionals, business leaders and tech professionals every year.

BVE 2019 is giving you access to:

  • 300+ brands exhibiting the latest technologies with exclusive offers at the show
  • 100+ free to attend and industry accredited seminars
  • 200+ industry experts providing you with best practice industry insight
  • Unlimited access across all 3 days

We are excited to exhibit alongside our colleagues at:

  • Avid
  • Soho Broadcast
  • DELL
  • Mandy
  • …and many more
We look forward to seeing you there!

BSC Expo 2019

BSC Expo is coming to Battersea Evolution. Come along with your friends and join us at our boot for a chat or a quick ‘hello’ and pick up your free swag. Entry is free for all. Register now.

We are excited to exhibit again this year across two full days of fellow exhibitors showcasing their latest equipment. As well as that you will be able to immerse yourself in a large number of panel discussions and presentations.

This will also give you the perfect opportunity to come see us at our stand, pick up your free swag and get a great deal of inspiration from across the industry.

About BSC Expo:
The BSC Expo  is the UK’s premier dedicated film and TV production show and is now a recognised fixture in the industry calendar. The 2019 is set to be the biggest ever, with national and international manufacturers and suppliers. This is a great opportunity to test all of the latest equipment and technologies in a relaxed industry environment.

We are excited to exhibit alongside our colleagues at:

  • ARRI
  • NBC Universal
  • Zeiss
  • RED
  • Sony
  • …and many more
We look forward to seeing you there!

Post-Holiday After Party: Xmas Might Be Gone, But The Party Is Still On

Back from the festive month and still in party-mode? Well, look no further and join us at our annual start-of-the-year party at the renowned Phoenix Artist Club in Soho.

What you will get out of this gathering:

  • Make new connections
  • Mix&Mingle with old and new faces
  • Have a drink (or two) on the house

FREE for IMIS Members. Tickets for non-members: £6 (incl. VAT)

Come along for NETWORKING EVENT, DRINKS and a GREAT TIME!

ABOUT THE PHOENIX ARTIST CLUB:

The award-winning Phoenix Artist Club is one of London’s last remaining independently owned and operated venues, based in the heart of the west end and located in the original rehearsal rooms of the Phoenix Theatre.