February, 2019

12Feb6:30 PM9:00 PMEvent OverSelling Your Feature Film: Using a Proof of Concept

Time

(Tuesday) 6:30 PM - 9:00 PM GMT

Location

Zero One Studio

Hopkins St, Soho, London W1F 0HS

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Speakers for this event

  • Dwayne Gumbs

    Dwayne Gumbs

    Writer/Director

    Writer/Director

Event Details

Come join us as writer/director Dwayne Gumbs will present the importance of having a proof of concept in order to sell your feature film script to investors. He will screen ‘Holy Beef’, a proof of concept for his feature film currently in development.

‘Holy Beef’ was funded through Film London’s London Calling scheme and was in official selection at the BFI London Film Festival 2018 and the London Short Film Festival 2019. As such, the project has also been supported by Film London as part of their Microwave scheme for first time feature filmmakers.

Dwayne will:

  • Talk about when and why the proof of concept became vital to his feature project
  • Give an idea of how to create a feasible and engaging a ‘short version’ of a substantial feature idea
  • Share his experiences of the benefits the proof of concept has brought with it and what it means for the future of his project

Come along to this gem of an event, meet new people and get some insight into the ins and outs of the journey from proof of concept to feature production.

About Dwayne Gumbs:

Dwayne’s passion for writing found an outlet as a child through Grime. Having grown up in East London when the culture was emerging, his hobbies included MCing, DJing and music production – a connection he’s maintained to this day. In 2008 he founded Diverse Voices Entertainment, a unique entity for young people to express themselves and access opportunities in the arts which would otherwise not be available to them. He has written and directed many live shows and short films, all co-created with these young people.

Dwayne collaborated with Iain Simpson on the Film London funded grime comedy short ‘Holy Beef’, a proof of concept for a feature in development, ‘Running Out of Grime’, which was also developed through Film London’s Microwave scheme.

Dwayne is passionate about creating positive depictions of a young generation too often portrayed negatively on screen. Whilst the London film industry is definitely broadening the range of stories being told, he still feels there is an unaddressed gap in the ‘Urban Film’ market, which is not a fair representation of the vibrant and positive inner city London life he experienced growing up, nor the true nature of today’s youth.

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