(Monday) 6:00 PM - 9:00 PM GMT
Zero One Studio
Hopkins St, Soho, London W1F 0HS
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WE ARE CURRENTLY EXPERIENCING SOME INTERMITTENT ISSUES WITH OUR CREDIT/DEBIT CARD PROCESSOR ON MOBILE DEVICES; IF YOU ARE ABLE TO PURCHASE A TICKET ON A LAPTOP/DESKTOP,
WE ARE CURRENTLY EXPERIENCING SOME INTERMITTENT ISSUES WITH OUR CREDIT/DEBIT CARD PROCESSOR ON MOBILE DEVICES; IF YOU ARE ABLE TO PURCHASE A TICKET ON A LAPTOP/DESKTOP, WE RECOMMEND THIS. IF YOU ARE UNABLE TO PURCHASE A TICKET, PLEASE EMAIL US AT EVENTS@SOCIETYINMOTION.COM AND WE WILL RESERVE A TICKET FOR YOU FOR PAYMENT ON THE NIGHT AT THE DOOR. THANK YOU FOR YOUR PATIENCE.
Come join us as award-winning writer Corey Mandell talks about his views on instinctive vs conceptual writing. He has written numerous projects for Ridley Scott, Harrison Ford, Meg Ryan, Julia Roberts, Warner Brothers, Universal, 20th Century Fox, Working Title, Walt Disney Pictures and many more.
- Talk about the difference between ‘instinctive’ and ‘conceptual’ screenwriting
- Give an idea of how he one doesn’t necessarily exclude the other
- Share his experiences with working for high-end production companies and A-listers
Come along to this gem of an event, meet new people and get some insight into the ins and outs of the various ways to write for the big screen.
About Corey Mandell:
Corey Mandell is an award-winning playwright and screenwriter who has written projects for Ridley Scott, Wolfgang Petersen, Harrison Ford, Meg Ryan, Julia Roberts, John Travolta, Warner Brothers, Universal, 20th Century Fox, Fox 2000, Fox Family, Working Title, Paramount, Live Planet, Beacon Films, Touchstone, Trilogy, Radiant, Kopelson Entertainment and Walt Disney Pictures.
His Professional Screenwriting and Television Writing Workshops offer an alternative to the same old tired rules and formulas found in most screenwriting classes, books and seminars. This innovative program is the only one to teach creative integration, script testing, compelling conflict, organic story design, strategic rewriting and story mapping. With these tools, writers are able to create the pitch-perfect authentic scripts required to break into, and thrive in, the current marketplace.
In the past three years, graduates have gone on to sell or option scripts to Warner Brothers, Paramount, Sony Pictures, Disney, Fox, MGM, Universal, Showtime, FX, USA Network, NBC, HBO, MTV and AMC. Others have been staffed on such shows as Community, The Fosters, Jane the Virgin, Bones, Justified, BoJack Horseman,Young and Hungry, PlayingHouse, The Mentalist, Marvel’s Agents of Shield, Up All Night, State of Affairs, Rosewood, The Leftovers, You’re the Worst, Pretty Little Liars, Treme, The Blacklist and The Leftovers.
The Workshops teach the essential skill sets required to write at a professional level, both for feature films and television. The classes are offered live in Los Angeles as well as online using video conferencing to allow participants to see and hear each other in real time. These highly popular classes draw students from across the US, Europe and Australia.
With the recent explosion of television pilots being bought, and a healthy rebound in the feature spec script market, there’s never been a better time to jump into the writing game. One script absolutely can change your life. But it’s got to be the right script. If you’re serious about developing the skills required to launch a career, these workshops can help take years off your learning curve and significantly increase your chances of success.