Scriptwriting Collaborations: A Look at Partnerships

You might not have considered taking part in a collaboration. As writers, we’re very individual people, going at it as lone wolves, isolating ourselves between four walls to write and plot and scheme and essentially, go mad. But what happens when we actively share the madness with another writer? Below you’ll find out the main benefits of doing so.

Many writers who have stayed together, have become successful together. It’s all about finding the process that works for both of you.

Divide up your writing tasks

Writing together lightens up loads in every sense. You can each write to your strengths. Each writer can focus on their fortes, rather than agonizing over their downfalls. At the beginning of a collaboration, if you each outline your strengths and weaknesses (Who’s better at character-building? Or Script format?), then you can each perfect your craft, and learn from the other in your weakness. It’s a win-win situation. If you do this well, you’ll also be waving goodbye to any writer’s block, as you won’t be stuck in a rut with your biggest weaknesses–you’ll have someone there, battling them alongside you.

You build up a tolerance to feedback and (constructive) criticism

This is VERY important in the film industry. If you’re a person who’s hyper sensitive about tweaking so much as a sentence in your script, this won’t last for long with a writing partner. If uncomfortable at first, you’ll build a hardened shell to your partner’s suggestions and won’t hesitate in changing major plot points at least five times a day. Your script won’t suffer for it (quite the contrary in fact) and you’ll both find that honesty will lead to stronger scripts. You forget about your ego, and focus on the good of your story and the well-being of your writing partner.

This being said, you probably will occasionally argue with one another–especially when it comes to cutting favorite bits or beloved characters. This is totally normal however, as disagreement is a vital and integral part of the screenwriting process. But, argue your case nicely and then move on.

Adding hype and excitement

Once you both break the ice, you’ll inevitably end up having a whole lot of fun. What with jokes, writing prompts and endless title brainstorming, writing will become such a social act it won’t even feel like work anymore.

Writing is a lonely exercise

You’ll have your own creativity support group to go to. There’s nothing worse than feeling lonely and misunderstood about your writing, not understanding why it’s not going anywhere. But with a writing partner who essentially wants the same outcome as you do, there’s no one better to understand you. Having someone in the same situation as you takes the terror right out of your job (in this case script) prospects.

Dual Brainstorming is more effective

Someone else’s enthusiasm is contagious, not only will it lead to better brainstorming sessions, but you’ll find yourself so wrapped up in the world you’ve created with your partner, that the rest of the real one may even cease to exist–the ideal state when you are creating. Writing with someone else is essentially the WD40 to rusty brain gears.

The Writer’s Workout is better designed for Two

Creating a long-term plan in which you write for a period of time every day is far more easily accomplished when you have established appointments with a partner you don’t want to cancel. Plus, as lone writers, we generally carry out quality control every time we finish a segment of a script, or maybe even at the end of the first draft, inevitably stretching out the time it takes to improve it. When writing as two, the quality control is ever-present and ever-functional. It happens naturally as we go along, listening to the other person’s ideas. This makes way for changing things on the spot, and so by the time you get to the draft-stage, you’ve got yourself a far more solid script.

Yin and Yang: Two Imaginations are better than one

As lone writers, we are often blind to the gaps in our story, to the gaping holes in our logic until it’s too late. With another writer looking over your shoulder however, you’re more likely to catch any uneven stuff before you send it off into the ether.

Here are a few scriptwriting partners who have all taken collaborations to a whole new level:

Coen Brothers for No Country for Old Men, Raising Arizona, Fargo. Apparently their screenwriting process works like this: One will write an initial scene, pass it to the other where he will then continuously try to outdo the first in any way he can:  plot, characters, building tension. This helps push them to break boundaries and create better scripts.

Woody Allen and Marshall Brickman. Annie Hall, Manhattan. Woody Allen and Marshall Brickman would outline the script idea together, the finer points of each scene, and then Woody would go away and write the draft. And then it would be a back-and-forth scenario of tweaking and polishing and walking around New York City discussing it.

Simon Pegg and Edgar Wright. Hot Fuzz, Shaun of the Dead. First of all they created “Flip drafts” for their screenplays before they even started writing the script. These were story-board type breakdowns of each scene, including major characters, camera shots and key events. This helped them have a clearer idea of where to begin in their script.

The Duffer Brothers perfected their Stranger Things scripts, by first imitating their 80s idols like John Carpenter as well as M. Night Shyamalan. By combining other people’s elements, tone and styles, they developed their own unique voice which unequivocally shines by itself.

Finding the “write” partner

First and foremost, most script collaborations are between people who know each other fairly well. From best buddies to spouses to siblings, there are a whole lot of writing partners you might not have considered. If you don’t have anyone who moves around your social circles who writes, then you most definitely need to change that.

Sign up to a screenwriting class, attend a meet-up, (at the very least) join a Facebook Group with screenwriters. Advertise your need for a collaborating partner and don’t be afraid to tell people you want to write together. Chances are they’re just too shy to suggest it.  Challenge yourself! It might just be the best thing you can do. You won’t know until you try it.

 

Elena Alston is a script editor and content writer living in London. Recently graduated with an MA in creative writing at Brunel University, she specialises in screenplay editing and fantasy fiction, but also writes horror, sci-fi and satire.